Christa began her affair with tango as a completely incompetent beginner. Of course all beginners are incompetent at what they are beginning, by definition; that’s the freedom and pleasure of being a beginner. But Christa was really bad. The veterans of the scene thought she might not make it, despite her extraordinary enthusiasm and hard work. Five years later, she is one of the most influential dancers in the city and serves as the primary inspiration for a whole generation of female dancers (not to mention keeping the guys in line). She takes great pride in the progress of her students and continues to pursue her study of dance with the same voracious appetite as when she was that wobbly, wide-eyed teenager years ago. Those who know Christa well know her to be a master of creating beauty out of anything; be it sheet metal, a beat-up old guitar, oil on canvas, the intricate movements of tango, or a friend with two left feet.